The Wonder Years.s05e01.the.lake izleyin - Kalosırs Dailymotion'da. Fred Aaron Savage (born July 9, 1976) is an American actor and television director, known for his role as Kevin Arnold in the American television series The Wonder Years (1988 to 1993). He has earned several awards and nominations, such as People's Choice Awards and Young Artist Awards.

Seasons:123456 Main

The Wonder Years (1988–93) was American television series that was aired on ABC. The series depicts the social and family life of an adolescent boy growing up in a suburban middle-class family, and takes place from 1968–1973.

Homecoming [6.1][edit]

Narrator: There was a road that ran near the edge of my town. Out where the suburbs were still farms. I used to go there nights, that autumn of nineteen-seventy-two. I was sixteen. I had a girl. I had a car. I had a job. I was full of night... and life. I just wasn't ready to go home. That year, I traveled streets I'd never known before. I pushed against the limits of my suburban life. I had no idea exactly what lay ahead. All I knew was... I was running out of time. And I was gonna bust if something didn't happen... soon. In nineteen-seventy-two, the country was at war. With its armies... with its ideals... with itself. The dreams of the '60's were battling a new decade. And things were happening everywhere. Well, almost everywhere.

Mr. Deeks: Open your books to chapter six, section thirteen. The rise of post-agricultural Europe.

Narrator: Eleventh-grade. The no-man's land of public education.

Narrator: They say men are children, but sometimes children are men; maybe that's where the confusion lies... All I knew was that night the world suddenly seemed very big and I felt very small, so I did what I could...1972 was a crazy time. Kids played football, drove cars, went to school, celebrated life; while soldiers, heroes, their brothers struggled to find their way home from war; and young boys watched and grew wiser in their dreams.

Fishing [6.2][edit]

Narrator: The hardest part of growing up is having the ones you've always turned to, turn to you.

Narrator: We'd come this far. No sense turning back, now. We fished the rest of that day. We didn't catch much. Dad said he'd like to move up here, and open a bait shop. I told him it was a great idea. I think he believed it. And in the end... I guess we finally figured out why we'd come here in the first place. We'd come... to say goodbye.

Scenes from a Wedding [6.3][edit]

Narrator: It seems to me, a wedding means something different to everyone. To some, it's an occasion for simple pleasures. And for others, a wedding's implications are more profound. For some... it's a time for contemplation. For others, a time for regrets. A chance to measure just how far we've come in life... against the promise of those just starting out.

Narrator: It was a testament to romance at its finest and most pure. It was a declaration of virtue. Simple, and gracious, and real. And after a day of infidelities... some proposed and planned, some more subtle... I felt for the first time... that someone believed in something a little different. In love. In commitment. In each other. It almost made me glad to be there. I guess you could say that weddings mean a lot of things to a lot of people. We might cry at the romance unfulfilled in our own lives. And shrink at the unseen compromises our lives have held for us. But weddings also bring out hope. And promise. And possibility. After all, as we choose our partners... some of us make our choices for life. And some of us dance with just one of many. And sometimes - for the lucky ones - we remember why we picked who we did. And after years of fighting over burnt toast...and bounced checks... we might, for a brief moment... look at each other as we once did - before kids, and mortgages and routine conspired against us. And others are content to postpone their choices... knowing somehow, that the future, like that Saturday afternoon, will tempt us with dances - both slow, and fast.

Sex and Economics [6.4][edit]

Narrator: Junior year was a time of... exploration. A time for expanding horizons, broadening perspectives, seeking answers to little-known questions. It was an opportunity to grapple with the great issues of our day, which as it happened, boiled down to only two. One was sex. Miss Farmer. Our social studies teacher. In one of the great cosmic ironies of our time... the board of education had hired her to mold and develop our formative young minds.

Narrator: In a world where everyone was taking advantage of everybody else... sex and economics were facts of life. For all of us. I continued to see Miss Farmer every day, but, somehow, it wasn't the same after that. After all, in a way, she had done me a favor - taught me a lesson in 'life'. To wit, when it came to beautiful women and money, it would always end like this - some guy would get stuck on a ladder in November... and some guy would end up alone. All I know for sure is, it took me six weeks to finish painting that house. It cost me two-hundred-and-fourteen dollars of my own hard-earned money. And the next spring, Mr. Kaplan put up aluminum siding.

Politics as Usual [6.5][edit]

Narrator: Every four years, our country is gripped by a case of temporary insanity. We call it... the presidential election. It's democracy defined. A chance for politicians who know better... to make promises they can't keep. And come November... it's a chance for us to believe them.

Radio Announcer: With the heavily Negro population of the District of Columbia and the rocksteady Democrat stronghold of Massachusetts, Senator McGovern has an early start by carrying those states.

Narrator: Maybe I was jaded to think Winnie was idealistic. That newscast spurred me on to go to party headquarters where I could see the thrill of victory.

[Kevin arrives at party headquarters to see a glum scene]

Narrator: Or the agony of defeat.

Scoreboard: McGov = 2 checks. Nixon = 49 checks.

Winnie: How could this be? How could this have happened?

Mike: Winnie, we have to face reality. McGovern never stood a chance. Now is the time to focus our efforts on the 1974 Congressional elections.

Narrator: I guess many hearts were broken across America that night. But only one I really cared about. But somehow, it didn't seem important, anymore - who was right, who was wrong. All that really seemed to matter was... After all, maybe in his own way, Mike was right. In politics, you live to fight another day. Sure, the 'sixties were gone, but sooner or later...there'd be other battles to fight. The thing is, that election forever changed the way my generation looked at politics. We discovered, no matter how painfully, that we could be part of the process. That we could believe. And even now, twenty years later, despite all the evidence to the contrary... I can remember that night. And still believe.

White Lies [6.6][edit]

Narrator: They say you can live a lifetime and never find love. So I guess I was lucky. Because true love crossed my path the first time I met the girl next door - Winnie Cooper. Winnie and I'd been together longer than any couple I knew. Still, history only goes so far. Kinda like Winnie. Unfortunately, the mathematics of the situation were open to interpretation. To me, they led forward, to that great unknown. But to Winnie, they led... back! See, the great thing about us was that we had this past together. The bad thing about us was that we had this past together. Not that I minded being part of Winnie's past. It's just, when it came to who I was... she seemed to regard me as a known quantity.

Narrator: They say hindsight's twenty-twenty, and I guess it's true. Because as I stood outside Winnie's house that night, I suddenly saw it all so clearly. I'd sold both of us short, by taking something that most people never have and throwing it away for something less. I'd been in such a hurry to impress people that didn't matter, I'd torn apart the only ones who did...us.

Wayne and Bonnie [6.7][edit]

Narrator: My father worked at NORCOM over half his life. And eventually... he rose to the ranks of middle management. Where every day, was filled with crisis... challenges... and Rol-Aids. Yep... through the years my father had given a lot to NORCOM. And now... he had given them... Wayne. My brother had been employed in the mail-room for about six months. Don't ask me how. And if his work-ethic didn't exactly match Dad's... at least he was trying to find a niche for himself. Make new acquaintances. Bonnie Douglas. She was twenty-three, funny, smart, and, oh yeah - divorced. It was no wonder Wayne felt the way he did. Whatever Dad felt about all of this... he was keeping it to himself. Like all the Arnold men... he had a lot of things on his mind.

Narrator: It was that simple. And it was that complex. Love can kill you. It can tear you apart. But if you're very lucky... it can bring you back together. Sometimes love is unexpected... and unpredictable. And sometimes... you just have to go with your heart. And hope for the best.

Kevin Delivers [6.8][edit]

Narrator: For most kids I went to high school with, Tuesday and Friday nights meant homework, hanging out, dating - the usual agonies and ecstasies of teenage life. For me, those nights meant something else. My high school job. I was 'Kevin Arnold - Chinese food delivery boy'. Where you found harried waiters, agile cooks, Peking ducks, and of course... Mr. Chong. After four months on the job, we'd finally learned how to communicate. He yelled...

Narrator: Working for Mr. Chong certainly wasn't the best job I ever had. The hours were long... the money was poor, and employee-management relations left a lot to be desired. But in its way, each night held a promise - of riches. And adventure.

The Test [6.9][edit]

Narrator: One thing a kid learns growing up, is that life... is a series of risks. It's a cause-and-effect relationship. Nothing ventured, nothing gained. Still, with the proper guidance, we learn to deal with the risks. And pretty soon, we set out into the world... sure in our options, confident of our choices. Until, that is... eleventh-grade. The year of decisions. Around the middle of junior year... the risks increase. Almost overnight, the choices get harder. One guess why. The scholastic aptitude test. The living nightmare of American adolescents. Like some kind of biblical curse... the SAT's had descended on our class... reducing even the most-intelligent among us to a state of... flop-sweats.

Narrator: That afternoon, Dad and I took the tour. We talked furniture. We talked life. We made plans. And the next morning, at 8:00 AM, seventy-eight students gathered in the McKinley cafeteria to take what was supposed to be the most important test of their lives. Everyone had a different way of coping that day. Some were more effective than others. But for all the risks and choices, I was one step ahead of them. After all, I knew that this was just one test in thousands I'd be taking in my life. None of them final, none of them irrevocable. And the way I saw it, maybe life was a risk. But this time, I was ready.

Let Nothing You Dismay [6.10][edit]

Narrator: December, nineteen-seventy-two, was a time of change for my family. A time of strange occurrences. Improbable events. And, a fews surprises. After a twenty-year sabbatical in the kitchen... my mother was graduating from State College. We were all pretty proud of her. As for my father... after a half a lifetime at NORCOM... he decided to invest in the future. Well, the future of furniture, anyway.

Narrator: I guess some gifts are simple. They come from the heart... with a lifetime guarantee. And that afternoon... Christmas finally arrived. That Christmas Eve, I delivered egg rolls and pork lomein - for fifty cents more an hour. Then I turned right around and squandered the profits - on cashmere. Still, I think it was worth it. As for that big box, it turned out to be something much, much smaller. [Winnie gives Kevin a present] I hated it. I loathed it. I despised it. Then again, on the other hand... That night we skipped the customary dinner at home. Seemed there was a more fitting place to gather. We stayed up late. We talked about old times, new times. We ate turkey and dressing... and egg rolls. After all, the way I saw it, that year, we had a lot to celebrate.

New Years [6.11][edit]

Narrator: Over the years, a family develops a kind of character. A sense of heritage. A feeling of roots. For my family, those roots extended all the way to the back of our garage. It was kind of our Plymouth Rock. The final week of nineteen-seventy-two. Where I lived, it was a time of change. Most particularly in the person of... my new brother. Sure - maybe this looked like the same doofus I'd shared a room with for fifteen years... but in one way, he was different. Wayne was in love. And somehow... our garage was never gonna be the same again. Not that I begrudged the guy his good fortune. After all, he'd found the girl of his dreams. Bonnie Douglas. Twenty-three, divorced, and mother of one. But it wasn't what he'd done that was so perplexing... it was how he was doing it.

Narrator: So maybe that New Year's Eve 1972 didn't work out exactly like any of us planned. There was heartbreak we didn't anticipate, and events we couldn't have imagined. Still, it wasn't all bad; there was a magician. So, maybe there was a message in it all. The future was calling us. And no matter what, there was no turning back now.

Alice in Autoland [6.12][edit]

Narrator: Throughout time... there have been some pretty obnoxious couples. Couples who constantly bickered. Couples who had trouble communicating. But never, in the history of men and women... had there been a couple more horrifying, more terrifying, than... Alice Pedermeir... and Chuck Coleman. In the three months they'd been dating... they'd broken up twenty-seven times. A class record. Make that twenty-eight times. And in situations like these, there was one cardinal rule. Never, never, get in the middle of someone else's relationship. It was a tried-and-true theory. Leave well enough alone, and things would work out.

Narrator: I never did get that car. I got my old one back from 'Pistol Pete'. But I guess I did learn a few things from this mess. When it comes to couples, mind your own business. When it comes to women, you'll never understand them. And, when it comes to cars... always bring a wrench.

Ladies and Gentlemen... The Rolling Stones [6.13][edit]

Narrator: Teen logic. At sixteen, it was a tool we used with abandon. And this logic came in all shapes and sizes. We used it to help us through life's tough moments. It helped explain our behavioral oddities. But never was out logic more useful, then when it lent credence to a really hot rumor. It was a dull week in the winter of 'seventy-three. So the rumor had spread like wildfire. By junior year, I'd been down the old rumor-trail... one too many times. Maybe I was a little tough on the guy... but it was so clear to anyone with even a semblance of intelligence. Unfortunately... a semblance of intelligence was in short supply.

Narrator: And that's when I realized... there's all kinds of logic in this world. And a lot of it doesn't make any sense. That night, moved by the forces of teen logic, I'd stolen my dad's car... had a run-in with the police... a fight with my friends... and an accident. All in all... it was a great evening. Even if there were no Rolling Stones.

Unpacking [6.14][edit]

Narrator: By the middle of junior year, life at my school was becoming... routine. The teachers, the kids, the classes... they were all pretty much predictable. Most of them, anyway. Jeff Billings, the new kid in school. When it came to unpredictable - this guy had the lock. In the short time I'd known the kid, I'd learned this about him - he had brains, a sense of humor... He had... attitude. Yep, in a way, the guy had it all. Including a girlfriend I'd never met. Julie McDermott, the legendary goddess from another town.

Narrator: So... we went home. That day, I thought about a lot of things, like hometowns, like family - the shortcomings, the flaws, the arguments. Still, in the world of inconsistency and doubt... maybe home is what you make it. Like I said, most suburbs were about the same. Sure, some may have been a little bigger, and some may be have been a little greener... there was only one real difference. Only one of them... was yours.

Hulk Arnold [6.15][edit]

Narrator: At some point in your teenage years, if you're lucky, you make a discovery. You find out you're actually good at something. It's that critical juncture, where talent becomes...expertise - kinda. It's your chance to start or, end up flat on your face.

Coach: Why'd you let him pin you like that?

Narrator: Course, looking back, I probably just should have promised to do better. But instead -

Kevin: Yeah, well...you know, these shorts are really hard to wrestle in.

Narrator: ...I made excuses.

Nose [6.16][edit]

Narrator: In high school, appearances are everything. The way you look. The way you wish you didn't look. Nobody is satisfied. Which is maybe why...throughout the halls and classrooms... we hear the one universal cry.

Ricky: What's wrong with me?

Narrator: Ricky Holsenbach. When it came to inferiority complexes, he had them all.

Narrator: And as Hayley set off hand-in-hand with her new beau... one question naturally came to mind.

Ricky: What's he got that I don't?

Narrator: And of course, there was only one answer. He had her. That night was almost like a fairy tale. A night filled with magic... and love... and princesses. And pumpkins. Maybe it was fitting. In a land of insecurity, where curly-haired kids wanted straight hair, and heavy kids wanted to lose weight... and skinny ones wanted to gain it, and everybody wanted to be somebody else... the one true beauty... was the girl who simply knew herself. And was happy... with what she knew.

Eclipse [6.17][edit]

Narrator: On the afternoon of March 21, 1973, at exactly 2.15 PM, a rare astronomical event occurred - a total eclipse of the sun. As the sun, the moon and the earth began to move in line... so did we. A field trip. It was a chance to bring education to the unwashed masses of the junior class. Like Harlan Abramson, McKinley's living monument to polyunsaturated fats. Or Mary Jo Genaro. Senior year, she became the first girl at McKinley to take her parole officer to the prom. Louis Lanahan. When mankind discovered fire, they had not quite counted on Louis. And so, in a cloud of smoke and a mighty Hi-ho, Silver!... we were on the way to the Nierman planetarium. Thirty-four students and one teacher on the road to higher education - such as it was. All in all it was the lead opportunity to exchange ideals outside the confines of the classroom. To expand the boundaries of higher education. To go where no man had gone before.

Narrator: I guess you can say that the laws of nature aren't always predictable. Still, when it came to matters of cause and effect... I think we managed to learn a thing or two. Perhaps that day, despite all the chaos, there really were cosmic forces at work. Forces so powerful, so profound, they defied all our attempts of rational explanation. I mean, hey, it had taken only five-thousand years to understand the moon... So, maybe, we were making progress. Then again, when it came down to it, may be, we learned enough for one day.

Poker [6.18][edit]

Narrator: If there's one way to describe adolescence... It might be this... It's a gamble. An adventure into the unexpected. A step into the unknown. It's a time of life that pits hope against fear. And logic against prayer. A game of luck... and opportunity. Not unlike, say, for instance... Poker.

Narrator: Those seventeen years... He knew what I meant. After all... Standing there on the edge of adulthood... we knew that the problems of men were not easily solved. That life was a risk. That growing up... was a gamble. That the time for bluffing, had passed. Still, ya never knew. With a little luck... Things just might turn out OK.

The Little Women [6.19][edit]

Narrator: By the spring of nineteen-seventy-three the women's liberation movement was in full force. Across America, a revolution was in progress, shedding old stereotypes... building new roles. It was a time of raised-consciousnesses and high expectations... a fight for equality and freedom. Women everywhere were facing difficult and complex choices. Take my mother for example. She was a woman of her time. A woman of accomplishments. A woman who was appreciated. Yep, you might say in everything she did, Mom commanded our utmost respect. And whether it was pouring our coffee, buttering our toast, or simply washing our socks... we Arnold men supported her, encouraged her... right up until that day, when...

Norma: I've decided to get a job.

Kevin: By the way, congratulations on your SAT scores.

Winnie: Thanks.

Narrator: I mean, no sense being pigheaded. The way I saw it - the world was big enough for all of us. And besides, so what if women could influence government, take over big business, alter domestic policy, dominate education, make the world a better place. In one important respect, we had still a lot to teach them. Yep, when it came to being jerks, they still had a lot to learn.

Reunion [6.20][edit]

Summer [6.21][edit]

Wonder Years Poster

Narrator: I guess things never turn out exactly the way you planned. I know they didn't with me. Still, like my dad used to say, 'Traffic's traffic; you go where life takes you.' I remember a time, a place, a particular fourth of July; the things I saw in that decade of war and change. I remember how it was growing up among people and places I loved. Most of all, I remember how it was to leave.

Independence Day [6.22][edit]

Narrator: Once upon a time, there was a girl I knew, who lived across the street. Brown hair, brown eyes. When she smiled, I smiled. When she cried, I cried. Every single thing that ever happened to me that mattered, in some way had to do with her. That day, Winnie and I promised each other that no matter what, that we'd always be together. It was a promise full of passion and truth and wisdom. It was the kind of promise that can only come from the hearts of the very young.

Narrator: The next day, Winnie and I came home, back to where we'd started. It was the 4th of July in that little suburban town. Somehow though, things were different. Our past was here, but our future was somewhere else. And we both knew, sooner or later, we had to go. It was the last July I ever spent in that town. The next year, after graduation, I was on my way. So was Paul. He went to Harvard, of course. Studied law. He's still allergic to everything. As for my father...well. We patched things up. Hey, we were family. For better or worse. One for all and all for one. Karen's son was born in that September. I gotta say, I think he looks like me. Poor kid. Mom, she did well: Business woman, board chairman, grandmother...cooker of mashed potatoes. Wayne stayed on in furniture. Wood seemed to suit him. In fact, he took over the factory two years later, when Dad passed away. Winnie left the next summer to study art history in Paris. Still, we never forgot our promise. We wrote to each other once a week for the next eight years. I was there to meet her, when she came home, with my wife and my first son, eight months old. Like I said, things never turn out exactly the way you planned. Growing up happens in a heartbeat. One day, you're in diapers; next day, you're gone. But the memories of childhood stay with you for the long haul. I remember a place...a town...a house...like a lot of other houses; a yard like a lot of other yards; on a street like a lot of other streets. And the thing is...after all these years, I still look back...with wonder.

The Wonder Years - Transcript

Episode 115: 'Independence Day'

INT. DAY. BEDROOM AT THE RESORT.

MICKEY: I doubt it. I seriously doubt it.

HOWIE: It's true, ask Nick.

NICK: The girl did not wash her hair for six months. This bigtick buried it's way through her skull into her brain.

KEVIN: Hey, would you guys knock it off? I'm trying to rest here.

MICKEY: What's wrong with him?

KEVIN: Nothing.

HOWIE: Girlfriend trouble. [laughs]

KEVIN: [irritated] Hey, would you mind your own business!

HOWIE: She's hanging out with king Eric.

NICK AND MICKEY: [lauging] Oohh.

[JACKenters the room unexpectedly]

JACK: Kev?

KEVIN: [surprised] Dad?

JACK: They...eh...said at the front desk that I'd find you backhere.

NICK: We were just leaving.

MICKEY: Yeah, we were just leaving.

HOWIE: [toJACK] Nice to meet ya.

[HOWIEtripples over some garbage cans as he walks outside]

KEVIN: The guys.

JACK: Aha.

KEVIN: So what are you doing here?

NARRATOR: Of course, it was obvious. Theold man had seen the light. About me, about him.

JACK: Your mother asked me to come. To give you these. [handsa paperbag toKEVIN] She was afraid you didn't pack enough underwear.

KEVIN: Underwear?

JACK: Yeah. And, eh, she also packed some cookies.

KEVIN: Well, that's great.

JACK: So, this is where you're living hah?

KEVIN: Why? What's wrong with it? It's comfortable.

[KEVINtaps the bed and dust whirls up]

JACK: What are they paying you?

KEVIN: They're paying me enough. You know with tips...

JACK: Look Kevin, I've been giving this a lot of thought, aboutwhat happened to us the other day and eh...

NARRATOR: Okay, here it came. A full andabject apology. The man was gonna crawl.

JACK: I think you made a BIG mistake.

KEVIN: What?

JACK: You flew off the handle. You said some things, that happens.Anyway I want you to know that if...you wanna come back and work for me...

KEVIN: Yeah?

JACK: It'd make your mother happy.

NARRATOR: And that about ripped it.

KEVIN: Look dad, I don't need you, I don't need your job andI DON'T need your stupid underwear. [gives the paperbag back toJACK]Got it? I'm doing fine here on my own okay?

JACK: Suit yourself. [gives the paperbag back toKEVIN]I gotta be going.

KEVIN: Uhh...

[JACKleaves andHOWIEcomes back]

HOWIE: So how was that?

KEVIN: Great. I'm going swimming.

EXT. DAY. SWIMMING POOL.

Wonder Years Portraits Promo Code

WINNIE: Kevin?

NARRATOR: Even though I knew I had.

KEVIN: Oh, hey.

[WINNIElooks atKEVIN's shirt, which has abig tomato face on it]

KEVIN: Yeah I know. I figured I'd masquerade as one of the guests.[smiles] Think we could...you know...maybe find some place to talk?

WINNIE: About what?

KEVIN: Well, eh...

[ERICwhistles and beckonsWINNIE]

WINNIE: Kevin, I can't. I'm on duty.

KEVIN: Yeah, you've been on duty ever since I got here.

WINNIE: I can't help it. It's my job.

KEVIN: I bet.

WINNIE: What was that?

KEVIN: Listen...Winnie, maybe this wasn't such a good idea. Imean coming up here. Even though I know I encouraged it, but...when youget down to it...

WINNIE: Maybe you're right. Maybe it wasn't a good idea.

KEVIN: What do you mean?

WINNIE: Maybe you should go.

NARRATOR: I felt like I'd been shot rightthrough the tomato.

KEVIN: Well...that's, that's not what I meant.

WINNIE: Kevin, you said yourself that it was time to find ourselves,right? You said we should give each other space!

KEVIN: Yeah, but...

ERIC: Winnie! Whatta you say babe?

NARRATOR: And that's when I knew. For sure.

[WINNIEwalks away]

KEVIN: Winnie!

[KEVINgrabs ontoWINNIE's arm]

WINNIE: What, let go!

KEVIN: I saw you. Last night, at the party. I SAW you. I camelooking for you and they told me you were with them again. When I foundyou...you were kissing him.

NARRATOR: The thing is, I didn't mean toaccuse her. I just wanted her back.

WINNIE: You saw me?

KEVIN: So I...

WINNIE: I don't believe that you're spying on me?

KEVIN: What?

WINNIE: How dare you?

[WINNIEpushesKEVINinto the pool and runsaway]

INT. EVENING. KITCHEN.

NARRATOR: By that evening I'd come up witha plan: win enough money to buy out the resort and fire all the life-guards.After that: suicide.

BAND LEADER: It's your bet, amigo.

[KEVINlooks at his cards: 3 queens]

NARRATOR: Not that I was going down withoutone last moment of glory.

KEVIN: I'm in for twenty.

BAND MEMBER #2: Call.

BAND MEMBER #3: I'm in.

NARRATOR: Yeah, here they came.

BAND MEMBER #4: See ya.

NARRATOR: The lambs to the slaughter.

BAND LEADER: I'll raise ya fifty.

KEVIN: Fifty? I don't have fifty.

BAND LEADER: No pay, no play. What's it gonna be?

[KEVINtakes out his car keys]

KEVIN: My car. Worth: couple hundreds at least.

NARRATOR: Well, 75 anyway.

[All of the band members are in again]

BAND MEMBER #4: Si Señor.

[KEVINputs his cards down]

KEVIN: Read them and weep. [Transcribers note: This phraseis common in American poker and also used in episode 112 by Jeff Billings. When you show a hand that you think will win, you lay it on the table andinvite your opponents to 'read' them and weep because they have lost money.]

NARRATOR: It felt good. It felt like revengeagainst the world that had turned against me.

BAND MEMBER #2: Three kings.

BAND MEMBER #3: Straight.

BAND MEMBER #4: Full house.

BAND LEADER: Four jacks.

BAND MEMBER #4: Ooyooyooy.

[All of the band members laugh]

BAND LEADER: Well, whatta you know. The pot is mine, ha?

INT. MORNING. RESTAURANT.

KEVIN: Beat it!

Mr. DEXTER: Young man, where's your uniform?

KEVIN: Stick it!

[KEVINwalks up toWINNIEandERIC,who are sitting at a table]

NARRATOR: The next morning I'd made up my mind

KEVIN: Winnie?

[ERICstands up]

ERIC Hey.

NARRATOR: I had all night to decide whatto do.

KEVIN: [toWINNIE] I just want you to know...

[KEVINpunchesERICandERICfallsover the table]

NARRATOR: And there you had it.

KEVIN: [toWINNIE] I'll be leaving now.

[KEVINpicks up his bag and leaves]

The following scene was only shown in the original airing and replace in the syndicated version by the line shown below:

EXT. DAY. OUTSIDE CASCADES RESORT.

<<Note: this scene is shot from the same camera angle as the scene when Kevin is driving up to the resort in Episode 114.>>

[KEVIN is walking away from the front entrance of the resort.]

NARRATOR: And there ya had it...lock, stock, and barrel. I'd set out to find myself and ended up losing everything.

[The BAND drives by in Kevin's car as the following line is yelled out the window at KEVIN.]

BAND LEADER: Well whatta you know, the pot is mine, eh?
<<NOTE: Similar to the line that was said previously when the BAND LEADER won the poker game.>>

NARRATOR: Not that I was down or anything. Hell, tomorrow was the Fourth of July...so call it macaroni.

NARRATOR: I'd set out to find myself and ended up losing everything.

EXT. DAY. SOMEWHERE ON A ROAD.

KEVIN: Great, now I get hungry.

[KEVINthrows his bag on the ground]

NARRATOR: I'd forgotten to eat lunch. [KEVIN opens his bag] So I was forced to fall back on the oldest survival technique known to alienated man: mom's cookies.

[A cow moos.]

KEVIN: [to the cow] Beat it!

NARRATOR: I examined my options. I hadno car, no money and no place to go. It was clear, what I needed here wasa new philosophy. The philosophy of the loner. [KEVINholdshis collar up.] The philisophy of the road.

[A car drives up from the distance.]

KEVIN: Hey!

[KEVINpacks his stuff and stands up]

KEVIN: Hey!

NARRATOR: So much for philosophy. WhatI needed was a ride.

KEVIN: Hey, stop! Hey! Hey!

[The car stops. There's an old couple sitting in front and one personin the back.]

OLD MAN: Need a lift?

KEVIN: Yeah actually. Listen, is there a bus station around here?

WOMAN: Yes, hop in.

KEVIN: Thanks.

[KEVINgets in the car.]

KEVIN: Oh no!

[The person in the back of the car turns out to beWINNIE.]

WOMAN: You two know each other?

KEVIN AND WINNIE: NO!

INT. DAY. CAR.

NARRATOR: Great. All the Chevies in allthe world, she has to walk into mine.

KEVIN: Winnie, would you mind moving your stuff over?

WINNIE: Yes, I'd mind.

KEVIN: Fine. Fine, I don't care.

WOMAN: Lovely afternoon, isn't it? Would anybody like some music?

KEVIN: Sure.

WINNIE: No thank you.

[TheWOMANshrugs her shoulders]

KEVIN: [sarcastic] So, what happened? You ran out of bathingsuits?

WINNIE: Can it.

KEVIN: Or did mister Muscles find himself a new squeeze?

WINNIE: I got fired.

KEVIN: What, did they fire you?

WINNIE: Because of you.

KEVIN: Well, congratulations. Who would have ever thought littlemiss two-time would get a dose of her own...

WINNIE: Oh, you're really something, you know that? You are absolutelycontemptible.

KEVIN: Me? What about you?

WINNIE: Rat.

KEVIN: Tramp.

WINNIE: That's it. Stop the car, I'm getting out.

KEVIN: Oh no. No, I'M getting out.

WINNIE: Fine, then get out!

KEVIN: No. No, YOU get out. I'm staying here.

EXT. DAY. SOMEWHERE ON A ROAD.

NARRATOR: So we both got out. Thrown out.

KEVIN: So, you're happy now?

WINNIE: I'm not speaking to you.

KEVIN: I don't care. No skin off my nose.

[WINNIEstarts to cry]

KEVIN: Oh man, do you have to do that?

WINNIE: Do what?

KEVIN: Do you have to cry like that?

WINNIE: I'm not crying. [pause] And I'm not a tramp.

KEVIN: Hey, if the shoe fits, right?

WINNIE: Oh, like you never looked at somebody else?

KEVIN: What are you talking about?

WINNIE: How about that girl last summer? At the lake.

NARRATOR: Wait a minute. Low blow.

KEVIN: Who told you about that?

WINNIE: You are so transparent.

KEVIN: Oh, so this is some kind of a jealousy thing? Is thatit?

WINNIE: You're worse than transparent. [walks over toKEVIN]You're a snake!

KEVIN: Oh yeah?

[WINNIEthrowsKEVIN's bag on the road. ThenKEVINthrowsWINNIE's suit case on the road. And then a truckdrives up from the distance and runs the bags over.]

NARRATOR: And that about said it all.

[WINNIEwalks away.]

WINNIE: Goodbye Kevin Arnold.

KEVIN: Yeah, have a nice life. WINNIE: I hate you.

KEVIN: The feeling is mutual.

[It starts to storm.KEVINandWINNIErun.]

INT. NIGHT. BARN.

NARRATOR: So thanks to thirty billion kilowattsof un-metered electricity and about a ton of rain...we ended up sharingthe same barn.

[WINNIEsneezes,KEVINdoesn't say anything.]

WINNIE: Thank you.

KEVIN: Don't mention it. [pause] You know this is really,really great, you know that? It's almost funny.

WINNIE: You think this is funny?

KEVIN: Yeah. [pause] No. [pause] I mean, you growup next door to someone and you figure you really know him. And then like...overnight,you find out you...you don't know him at all.

WINNIE: Yeah, well looks who's talking.

KEVIN: Me? Hey, I'm not the one who changed.

WINNIE: You really believe that?

KEVIN: You bet. [pause] I mean, changed a little but eh...notreally, no.

NARRATOR: But I guess I knew better. Iguess we both knew better.

WINNIE: Kevin?

NARRATOR: It just took Winnie to say it.

WINNIE: Here's what I think: I think this had to happen...today...tomorrow...someday. I mean it's not like we're kids anymore. Everybody grows up. It'snot like Peter Pan or something...

KEVIN: No, it's not like Peter Pan. It's just...somehow I'd thoughtwe'd be together, you know.

WINNIE: Yeah. Together forever.

[KEVINsmiles.]

KEVIN: It's not gonna happen, is it?

WINNIE: No.

[SuddenlyKEVINhears something]

KEVIN: What was that? Hello?

[KEVINcrawls over to the fench and stands up. He hears asound and frightened of it, he jumps over the fench, whereWINNIE'ssitting]

KEVIN: Did you see that? It's a horse! God, it practically scaredme to death. Can you believe that?

[KEVINlooks atWINNIE, who's crying now.]

KEVIN: Winnie?

WINNIE: I don't want it to end.

[KEVINandWINNIEstart kissing each other tenderly.]

NARRATOR: Once upon a time there was agirl I knew, who lived across the street. Brown hair, brown eyes. Whenshe smiled, I smiled. When she cried, I cried. Every single thing thatever happened to me that mattered, in some way had to do with her. Thatday Winnie and I promised each other that no matter what, that we'd alwaysbe together. It was a promise full of passion and truth and wisdom. Itwas the kind of promiss that can only come from the hearts of the veryyoung.

EXT. DAY. MAIN STREET IN KEVIN'S HOMETOWN.

NARRATOR: The next day Winnie and I camehome. Back to where we'd started. It was the 4th of July in that littlesuburban town. Somehow though, things were different. Our past was here,but our future was somewhere else. And we both knew, sooner or later, wehad to go. It was the last July I ever spent in that town. The next year,after graduation, I was on my way.

[KEVINandWINNIEare holding hands and walkover toPAUL.]

KEVIN: Paul! Hey, Paul.

WINNIE: Hi.

NARRATOR: So was Paul. He went to Harvard,of course. Studied law. [PAULsneezes] He's still allergicto everything.

JACK: [buys a flag from a salesman] Thanks a lot.

KEVIN: [toPAULandWINNIE] Listen,I'll be right back. Hang on for one second.

[KEVINwalks toJACK]

NARRATOR: As for my father...well.

JACK: How are you doing?

KEVIN: Good.

JACK: Welcome home.

NARRATOR: We patched things up.

JACK: Norma!

[NORMA, WAYNEandKAREN, who is pregnant now,walk over toKEVIN]

NARRATOR: Hey, we were family. For betteror worse.

KEVIN: Hey, sis.

NARRATOR: One for all...and all for one.

KEVIN: [touchingKAREN's stomach] Gosh.

WAYNE: [points atKAREN's stomach] LittleKevin.

KEVIN: I'm gonna be uncle?

NARRATOR: Karen's son was born in thatSeptember. I gotta say, I think he looks like me. Poor kid. Mom, she didwell: business woman, board chairman, grandmother...cooker of mashed potatoes.Wayne stayed on in furniture. Wood seemed to suit him. In fact he tookover the factory two years later, when dad past away. Winnie left the nextsummer to study art history in Paris. Still we never forgot our promiss.We wrote to each other once a week for the next eight years. I was thereto meet her, when she came home, with my wife and my first son, eight monthsold.

INT. EVENING. THE ARNOLD HOUSE.

NARRATOR: Like I said, things never turnout exactly the way you planned.

JACK: It was good. It was a good fourth.

KEVIN: Yeah. So you're gonna be a grandpa huh?

JACK: Not bad.

KEVIN: Grey hair and everything.

JACK: Yeah, soon enough.

[KEVINandJACKsmile.]

NARRATOR:

EXT. EVENING. KEVIN'S STREET.

[Fireworks in the background]

[Fade to closing titles]

YOUNG BOY: [voiceover] Hey dad, wanna play catch?

NARRATOR: [voiceover] I'll be rightthere.

CLOSING TITLES

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